Guiding You Home

How to tell you of living here in the city.
Today was no different from any other. Today I walked into the donut shop at the corner and ordered three cream-filled donuts and a coffee. I knew the morning was going to be hot, but I wanted the coffee anyway.

Whatever wind you might feel here on the street is laced with smoke, and that sort of wind was blowing when I stepped out holding my styro cup in one hand and half a donut in the other.The jeepney took me across the city of smoke and to Anna’s apartment.


There are two ways to go where you want in the city. Neither of them involve walking. 

Sometimes, the urban legend I  fantasize about comes back to haunt me: 


 
 
 




Anna’s apartment is a parapet above the shadowed malignancy of Taft Avenue. The building proclaims itself to be "Astral Towers" or some other foolishness. Some people who live here actually believe it to be a condominium. Every place I know is an apartment.

We never really own the places we live.

To have identification is to exist; otherwise, no one will let you in anywhere. After having presented mine to the guard I went to the seventeenth floor and knocked on Anna’s door. She shares the apartment with two or three others and they pay rent to a corporation that put up the building to make money from students like Anna and her friends. Half of the building, in fact, is rented or leased to her med schoolmates who cannot go home from school.



She opened the door with a warm welcome, and, as always, I was caught up in the past at the sight of her. This could be because much of our friendship is based on the four years of high school we shared. Nowadays the streets of the city keep us apart and we never see each other more frequently than once every month or so. Still, aside from this there is always something which reminds me of yesterdays and past experiences whenever I see her. Anna is a shade over five feet, something which I used to tease her relentlessly about and which was the basic foundation of everything else, I think. 

that there really is no city, that what exists is really a lacework of dirty streets and oily avenues woven together at odd angles into the ground from which the buildings spring, connected to the fabric of concrete and sewerage over which our cars and bodies flow like ants. Of course the city exists, people tell me when I say Listen to this, and tell them my story. Then they tell me that other legend, that we are its builders.


No one has ever bent down and put their ear on the sidewalk and listened for the murmur of the street and its dark thoughts against us. I haven’t; I am afraid of it.
.
She has a heart-shaped face and deep black hair and eyes, and she is studying to be a doctor someday. This last thing I hold in deep admiration and incomprehension, ten years of a med student’s life being to me a rare and valuable tragedy.

 
* * *
..
She welcomes me in, and I am just in time to help her bring a potted flower to the roof of the building for sunshine. It is a flower which her boyfriend Erwin gave to her. I know nothing of flowers, only that this one was pale in color and delicate in appearance and did look like it needed sun. We took the elevator to the top floor and climbed some stairs to the roof.


The sun was out in force and we placed the flower on a ledge. There was more wind and less smoke on the rooftop, and there on a raised concrete platform was built a pool. By the pool, on the railing, hung an "under repair" sign. We walked to the side of Astral Towers facing Manila Bay, where the grayness of the city gave way to the waters on which large dirt-colored tugs and ships maneuvered in an oily dance. Anna explained to me how close her apartment was, to her school and to the hospital where she now worked part-time in rotation with other fifth year med students. She pointed downwards at the hospital; I pretended to see where she was pointing and nodded acquiescence. We were both in good moods, and I fell as close as I would to falling in love with the idea of friendship and its ties of binding as I ever would.


Soon we took refuge under the shadow of the raised pool platform and talked of our futures in the way that people who live in the past do. I mentioned that I might get a job soon, at one company or the other; she said that her work at the General Hospital often involved going home late at night and working ungodly hours teaching pregnant women the anatomy of the breast. Or something like that.


For some reason a small sliver of water ran down the overhang of the pool and crept its way to where we were leaning. It stopped just before meeting the wall and dripped downwards next to my hand. We would later find out that someone disregarded the sign and decided to test the fitness of the pool by doing several laps back and forth. As it was, I edged closer to Anna, and having nowhere else interesting to look I was soon engrossed in the pattern of her shorts as we talked about Erwin her boyfriend, and the years in which we had done nothing in particular to renew our ties. Many times before I would travel the long and circuitous route to her house by jeepney; a house which faced the sunset and was covered in perpetually growing and withering ivy.

In our conversations someone would inevitably mention that we were getting old. This time it was her, and she looked at me with mockingly amused eyes as she said so.

 One of the things I cannot comprehend about living in the city is the faceless infinity of people.They seem to move like air through one’s day, a gray mass of living humanity that one never really sees or acknowledges. To try to know them in the way I know Anna, sitting beside me in her slippers and shorts, her black eyes crinkled in a smile set against the wind, inner laughter at some unspoken happiness that somehow involves this visit, to do so is to go utterly insane. No one mentions these risks very often.

* * *.

.

About a month later I am bringing home Anna from the Cyber Cafe in Makati, having watched a concert at which she danced like a madwoman to the sound of a new band, one of many new bands. The car is darkness itself; we speed through the late night emptiness of the streets like silent bullets. Speed is a luxury that we enjoy only at night. She sits with her legs half crossed underneath her, and I remember the times she would sit cross-legged in movie theaters beside me. Not many people are small enough for that. Tonight we take a new route to her house, the one I know and memorize having been closed for repairs. I think of the pool in the Astral Towers.


The back way turns out to be a maze of left and right turns across a landscape I do not recognize, weaving into and out of three different villages, probably more, before coming to hers. I think of burrows, of endlessly layered labyrinths of housing complexes and BF Homes that hide ever greater numbers of people, who all pile out at dawn to constrict the arteries of Manila. Even the newsmen call them arteries now. They, like I, wait for the heart attack.


 
 
 

At her house it is almost 2 am. I glance only briefly at the raised patio where sunsets align themselves through the trees. Anna and her brothers are drawing a map out for me, to guide me home. She leads me to the gate where I can hear the night waiting, and the utter stillness of a sleeping city. I kiss her cheek and hope that her hand is true and that tonight will be no different from any other, that I will not be lost like so many others are lost every day on streets that no one listens to.


This is what it is like, sometimes.

 
 
 
 
 
 

guide me